Central New Jersey (Somerset shop)
Kalamkari Painting Framing in Central NJ
Conservation framing for Andhra Pradesh painted textile art.

Conservation framing for Kalamkari work at our Somerset, NJ shop. We frame Kalamkari pieces for Telugu (Andhra Pradesh and Telangana) families and broader South Indian communities across Edison, South Brunswick, Plainsboro, Princeton, Monroe Township, and the Central NJ catchment.
Kalamkari is a textile painting tradition from Andhra Pradesh with roots going back approximately 3,000 years. Two centers produce distinct styles: Srikalahasti hand-paints narrative work using the kalam (pen), depicting scenes from the Ramayana, Mahabharata, and Bhagavatam; Machilipatnam/Pedana block-prints work using carved wooden blocks, often with Persian and Mughal-influenced patterns. Both styles use natural dyes (indigo, madder, pomegranate, iron-jaggery, turmeric) applied through an elaborate 23-step process involving cloth pretreatment with buffalo milk and myrobalan mordants. The natural dye work is photosensitive and the textile substrate has specific framing requirements we address through conservation-grade materials and tradition-appropriate mounting.
Looking for our broader South Asian framing services? See our South Asian Art Framing in Central NJ page for an overview of all the Indian art traditions we frame.
What Makes Kalamkari Framing Different
Painted textile substrate
Like Pichwai, Kalamkari is a painted textile (cotton, sometimes silk) and requires textile-appropriate framing. We use archival cotton or cotton-poly blend backing, not linen which absorbs moisture and warps. Pressure mounting or stretched mounting with adequate substrate support.
Natural dye photosensitivity
Kalamkari uses natural dyes through a 23-step process. The dyes include indigo (blue), madder/alizarin root (red), pomegranate rind and turmeric (yellow), iron-jaggery solution (black). These are photosensitive, which is one reason we recommend keeping Kalamkari pieces out of direct daylight.
Acrylic over glass
For Kalamkari we recommend acrylic glazing over glass: lighter for the larger pieces, safer if dropped, less risk of condensation forming against the textile in Central NJ's humid summers, and better thermal stability.
Potential milk-mordant odor
The buffalo-milk treatment in traditional Kalamkari production can leave a faint odor in newer pieces, especially Srikalahasti hand-painted work that may have come from artist studios recently. Allowing newer pieces to air for several days before framing is sometimes appropriate. We discuss this with you if it applies to your piece.
Spacer construction
Painted textiles must not have glazing pressed against the painted surface. We use spacers maintaining minimum 10 mm clearance between glazing and textile surface, following museum textile-display standards. This is non-negotiable for any painted-textile framing including Kalamkari.
What Central NJ Families Bring for Kalamkari Framing
Four common categories of Kalamkari work that come through our Somerset shop.
Srikalahasti hand-painted narrative work
Hand-painted narrative pieces depicting Mahabharata, Ramayana, and Bhagavatam scenes from the Srikalahasti tradition. These are typically more detailed and pictorial than block-printed work.
Machilipatnam / Pedana block-printed work
Block-printed pieces with decorative patterns, often featuring Persian and Mughal-influenced motifs. May be wall art pieces or incorporated into larger textile pieces.
Contemporary decorative Kalamkari
Modern Kalamkari pieces purchased as decorative wall art, often during trips to India or from contemporary artists working in the tradition.
Temple narrative pieces
Larger narrative Kalamkari scrolls historically used as temple backdrops. Today often displayed as substantial wall art in homes with cultural connections to temple traditions.

Why Central NJ Families Choose Our Somerset Shop for Kalamkari Framing
Location and proximity
Our Somerset shop is accessible to Central NJ Telugu, South Indian, and broader Indian American communities. Edison is 25 minutes. South Brunswick is 25 minutes. Plainsboro is 25 minutes. Princeton is 30 minutes. Monroe Township is 30 minutes. Jersey City India Square is 40 minutes. The trip integrates with weekend errands along Route 1, Route 27, or Route 287.
Textile framing expertise
We frame painted textiles regularly across multiple traditions: Kalamkari, Pichwai, embroidered ceremonial pieces, and contemporary textile art. The mounting protocols, spacer construction, and glazing selection appropriate for painted-textile artwork are not standard configurations at chain frame shops.
On-site manufacturing
Every Kalamkari frame is built on-site at our Somerset facility. Custom dimensions, spacer construction, archival cotton mounting, and framer's grade acrylic glazing are built to your specific piece's requirements rather than pulled from standard stock configurations.
Conservation-grade materials
Archival cotton backing (never linen), conservation-grade mat board, framer's grade acrylic glazing, and spacer hardware for proper glazing clearance are standard practice for Kalamkari framing.
Cultural respect
We treat Kalamkari pieces with appropriate respect for their cultural context, whether the piece is narrative work with religious iconography or decorative block-printed work. We accommodate multi-stakeholder family consultations and religious advisor input when desired.
How Kalamkari Framing Works at Our Somerset Shop
- 1
Contact us first
Book a consultation before bringing your piece in. A brief conversation in advance helps us prepare appropriate samples (walnut and warm-wood moulding profiles, ivory mat boards, spacer hardware) and allocate adequate consultation time.
- 2
Bring your artwork to Somerset
6 Shirley Avenue. Transport the piece flat between acid-free boards or rolled in a clean tube for narrative scrolls. For newer Srikalahasti pieces with potential milk-mordant odor, we can discuss an airing plan as part of intake.
- 3
We design together
We assess substrate (cotton vs. silk), condition, and intended display context. We lay actual moulding samples and mat boards next to the piece, and discuss spacer construction (10 mm minimum clearance), framer's grade acrylic glazing (with non-glare upgrade available for sunny rooms), and any pre-framing airing the piece may benefit from.
- 4
We build it here
Every cut, every spacer, every mount is built to your piece's specifications in our Somerset shop. Standard turnaround is 3-5 business days for textile work; pieces benefiting from an airing period add a few days. Rush turnaround available for housewarming, weddings, and religious occasions when booked ahead.
Drive Times to Our Somerset Shop
Typical drive times from across the Central NJ Telugu and South Indian community to 6 Shirley Avenue.
Common Questions About Kalamkari Painting Framing
What's the difference between Srikalahasti and Machilipatnam Kalamkari?
How do you protect natural dye colors?
Why do you recommend acrylic over glass for Kalamkari?
Can you frame larger Kalamkari pieces?
What if my piece has a faint smell?
How long does Kalamkari framing take?
Can you handle inherited or antique Kalamkari?
Do you frame Kalamkari pieces for cultural display?
Visit Us
Walk in during weekday hours, or book an evening or Saturday slot through our scheduling for a quieter consultation. Bring your piece, photos of the display space, and any family members or advisors you would like present.
