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An art consultant in a dark suit reviewing a tablet in front of a row of four large, professionally framed landscape and mountain prints hanging on a fabric-paneled wall in an upscale corporate lobby.
Fine Art Framing for Consultants & Curators

Picture Framing for Art Consultants, Curators & Corporate Collections

Museum-quality archival framing and giclée reproduction for full-service consultants placing collections in corporate offices, hotels, healthcare, and multifamily properties.

30-day no-questions returnsBuilt in New Jersey since 2015
Archival construction
Reversible mounting, archival mats
Batch-matched mouldings
Same stock across full installs
Direct-to-site shipping
Install-order labeled cartons
82 profiles, 45 mats
House specs held on file
Quick answer: how do art consultants typically work with us?

Most consultants set up 3 to 5 house frame profiles and mat configurations on file with us, then route project-by-project orders against those standard specs. We build with archival mats and framer's grade acrylic on every fine art piece, batch-match the moulding so finishes are consistent across an install, label cartons in install order, and ship direct to your install site. Tier pricing scales with annual volume.

Picture Framing Services for Art Consultants and Collection Managers

Built around how consultants actually deliver projects: house specs on file, batch consistency across installs, and packing that matches your placement schedule.

House specs on file

Lock in 3 to 5 standard frame profiles and mat configurations. Every project draws from your house book.

Batch-matched finishes

All mouldings on an install cut from the same stock run. Color and grain match across every wall.

Placement-schedule packing

Cartons labeled in install order with room IDs. Your crew unpacks and hangs without sorting.

Direct-to-site shipping

Ship to install address with date windows coordinated with your PM or GC. Manifest included.

Archival on every piece

Archival mats, reversible mounting, framer's grade acrylic standard on fine art and reproduction.

Tier pricing for ongoing work

Annual-volume tier pricing on your house specs. Project quotes still available for one-offs.

What is museum-quality framing, in plain terms?

Museum-quality framing means three things in practice. First, the mat board is archival (cotton or alpha-cellulose) so it will not yellow or off-gas onto the artwork over time. Second, the mounting is reversible: the piece can be removed years later undamaged. Third, acid-free matting and archival mounting, paired with display out of direct sunlight, are what slow pigment fading. Combined, these protect the artwork well enough that a curator would not flinch at the build. We use this standard on every fine art piece, not as an upgrade.

Can you reproduce an original in multiple sizes for a corporate install?

Yes. We produce archival giclée reproductions from your supplied high-resolution files. Common project shapes: scaling one original up to fit a specific lobby wall, producing matched sets of three or four pieces for a hallway run, or replicating a single artist's work across multiple property locations with identical color across all copies. We color-match to your reference proof so the reproduction reads the same as the source.

How do you handle a multi-floor or multi-property rollout?

We work from your placement schedule. Every piece gets tagged with the room or unit ID, then packed in install order so the crew on site can unpack carton-by-carton and hang sequentially. For multi-property rollouts (hotel groups, multifamily portfolios, multi-office corporate clients) we ship to each address on the date you specify, with a manifest tied to that property's placement schedule. The goal is for the install day to look like assembly, not a scavenger hunt.

What kinds of installs do you typically frame for?

Corporate headquarters and regional offices. Hotel guest rooms, lobbies, corridors, and amenity spaces. Hospital and healthcare campuses (patient rooms, family areas, public corridors). Multifamily lobbies, amenity floors, and model units. Restaurant groups standardizing across locations. Multi-tenant office towers. Private residences for high-end interior designers and consultants serving collectors.

Do you offer oversized framing for large lobby pieces?

Yes. Oversize is routine. Lobby pieces, oversized photography, and gallery-scale canvas are within our manufacturing range. For pieces over 40 inches we spec reinforced corner joints and thicker glazing to handle the weight and stay rigid against gravity. Send dimensions and image specs and we will recommend the right build with corresponding pricing.

Where consultants place our work

Corporate headquarters

Lobby walls, executive floors, conference rooms, employee corridors. Batch-matched across the campus.

Hotels & hospitality

Guest room art programs, lobby focal pieces, corridor sequences. Reorderable for new properties.

Healthcare campuses

Patient rooms, family lounges, public corridors. Calming, durable, framed for high-traffic settings.

Multifamily lobbies

Amenity floor curation, model unit staging, leasing center walls. House specs across the portfolio.

Restaurant groups

Standardized art programs across locations. Same install pattern, different prints per property.

Private residences

For interior designers and consultants serving high-end collectors. Museum-quality archival construction.

Have an install on the calendar?

Send your piece count, sizes, and target install date. We will reply within one business day with a project quote and lead time.

Art consultant framing FAQ

What kind of art consultants do you typically work with?
Full-service art consultants and curators who place collections in corporate headquarters, multi-tenant office towers, hotels and hospitality properties, hospitals and healthcare campuses, multifamily lobbies and amenity floors, restaurants, and private residences. The common thread is a single project lead managing curation, framing, and installation as a package, not pieces sourced ad hoc.
What is the difference between archival framing and standard framing?
Archival framing uses materials that will not damage the artwork over years of display. The mats are made of cotton or alpha-cellulose so they will not yellow or off-gas onto the print. The mounting is reversible so the piece can be removed undamaged. Acid-free matting, archival mounting, and keeping the piece out of direct sunlight are what slow pigment fading. Standard framing uses wood-pulp mats and adhesive mounting, which is fine for posters and replaceable prints but will damage anything you intend to keep.
Can you handle a full corporate art rollout with 50 to 500 mixed-size pieces?
Yes. Rollouts in that range are our routine batch size. We work from your placement schedule (room-by-room or floor-by-floor), batch-match moulding stock so finishes are consistent across the install, and pack pieces in install order so your crew on site can hang sequentially without sorting. Typical turnaround on a 50-piece rollout is 3 weeks; 200-piece is 5 to 6 weeks; 500-piece is 8 to 10 weeks. Rush schedules available.
Do you reproduce existing artwork in different sizes for a corporate install?
Yes. We produce archival giclée reproductions in any size from your supplied high-resolution files. Common requests: scaling an artist's original to fit a specific lobby wall, producing matched sets of three or four sizes for a hallway sequence, or replicating a single piece across multiple property locations. Color is matched to your reference proof or original.
What is the difference between museum-quality framing and conservation framing?
In practice the two terms describe the same standard: framing that guards the artwork against moisture and contact damage over decades. We use archival mats, reversible mounting, framer's grade acrylic glazing, and sealed backing on every fine art build. The label changes by audience (museums and conservators use different terminology than gallery consultants) but the construction is the same.
Can you ship finished pieces to install sites instead of to our studio?
Yes. Direct-to-site shipping is standard for installs. We coordinate with your project manager or general contractor on receiving windows, ship in install order with labeled cartons, and provide a packing manifest tied to your placement schedule. For multi-site rollouts we ship to each property on the date you specify.
Do you handle oversize and large format pieces?
Yes. Our manufacturing range goes well past standard residential sizes. Large lobby pieces, oversized photography, and gallery-scale canvas are routine. For pieces over 40 inches we recommend reinforced corner joints and a thicker glazing option to handle weight and rigidity. We will spec the right build for the size when you send dimensions.
What does pricing look like for a curator or consultant relationship?
Wholesale pricing scales with annual volume. Most consultant relationships settle into tier pricing across 3 to 5 standard frame profiles and mat configurations that you use as your house specs across projects. Project-by-project quotes are still available, but the house-spec approach gives you consistent margin and consistent presentation across every install.
Do you work with art consultants outside the New York metro area?
Yes. Our workshop is in Somerset, New Jersey, and we ship nationwide. About 60 percent of our consultant work installs outside the NY/NJ/PA region. Direct-to-site shipping, packing manifests, and install-order labeling are designed for remote installs.
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